Three times Eva in the nude
Gislebertus, Eva the seductress, cathedral Autun/Burgogne (1130)
A naked woman meanders through lush vine and foliage forward, our eyes have to get used to it, especially in an insufficient figure. Knees and elbows wear the fleshy and yet weightless body, which is designed from the waist upward in the highest art and almost vibrant sensuality. From below a solid stone beam supports, from the back a smooth surface gives relief.
As in a honeycomb to life developed pure! The scene unfolds in three levels: In front the "Paradise tree in the middle" and on the right the tree of forbidden fruit (for the artist two deep meanings, including two trees), in the middle of it which forwards winding and forever female Eva, in background paradisiacal vegetation with tempting fruits.
Eva almost automatically engages the very long left arm back, she has the fruit already firmly in hand, she will do them picking an then make her things. The rights scans on her face, touched and awakens it - what happens there? Two movements, two statements: guilt and sin, desire and punishment, awakening and anxiety. She wants it not really, "it draws them" - but it happens, and their innocence quakes and trembles, it is done! The woman is aroused and says "... I?" And since there are really life and death, love and hate, time and decay, caress and expulsion, Original sin and Redemption. And so it is still to this day, not only for Eva!
Fascinating is the expression of her face: absent because focused in the distance (she has a fear, the seductiveness would not come back?), dreaming and yet refined (best of all the seduction give way to get rid of!), or look for it simply Adam - "cherchez l'homme"?
An art-historical interpretation, however, assumes that it was originally in tympanum to Autun parallel bas-relief "Adam", but that the two figures from one large paradise tree in the middle in each case pushed to the left and on the right outside, so alienation between man and woman through the sin! Not to be overlooked are the details: eyes open, affectionate flattering hair, a soft and almost breathing skin - Eva delightfully in nature!
And the snake? The tendril-like, almost iridescent little trunks point to it. Devil front of the head, devil who captures the feet or lifts, even a devil in the background from the bottom up across the heart. Point to the devil also the many serpentine movements of the composition – try once to slide your finger over the body of Eve, on hands and legs, on the tree trunks and the swaying, almost floating tendrils.
The naked Eva was like the other world famous reliefs of Lazarus Cathedral in Autun to the canons oft he 18th century no longer right.
Probably not because of female nudity, but because of the "barbaric" medieval style.
They ordered to put everything in plaster or remove. This, however, remained the pieces of art from the barbarians of the French Revolution.
Our Eva was as a building material, recycling, again found in a house of Autun - she seeks till this day unsuccessfully after the lost Adam!
Eva is now the showpiece
of the Musée Rolin in Autun.
"She has guilt!"
Cathedral doors in Hildesheim
Expulsion from the paradise(1015)
with the entire ensemble for World Cultural Heritage properly, with their almost two tons in weight and with an incredibly light, free, modern-looking artistic design almost unbelievable for the Middle Ages to 1050. Three-dimensional in relief, frugal drawn and certainly modeled, expressionistic in all internal drama - worth a visit!
Adam: "I am innocent, Eva gave it to me!“ But how naked he is, he pressed the fig leaf to his shame, but the stooped body and into the void depth look speak of guilt. With night and his right hand he is under the left to Eva: „It is her fault, leave me alone!“
Eva takes already the rights to cover herself. But even feet tremble - it should not sound obscene, but the tail of the serpent is still between her legs! Their eyes look for God the judge, along Adam, her left says it all: "Nevertheless, the BEAST, understood it!“ And on his naked back, he must carry the curse oft his sin.
The snake, curled, sneering winner - but damned it is. Also the tree with the forbidden fruit turns away, the Paradise tree in the center is destroyed, dried up. The sculptural scene in front of the bare and cold bronze background, essential and economy on a blank backdrop, as drawn in a nightmare, modeled, shown theatrically, really worth and worthy as a World Heritage Site!
And now? Eva shows the future their back, but Adam already suspects, where it will go. And yet - it is the longing for paradise! What comes next, has not caused God and nor wanted it, but man! Sin and guilt, suffering and strife, there will be, sweat and tears.
"The loss of paradise has consequences. Man's alienation from God, death, hardship earthly life and the tension between man and woman ... Man has a longing that it could be better as it is, it is the longing for paradise." (Inga Knapp)
next Rembrandt - The Prodigal Son >